Film installation exploring both the malleability of the human mind and our connection with nature, as well as attempting to transport physical aspects of nature into the space.
Drawing on varying funeral traditions from across the world as well as the transformative processes visable within nature, a series of portable altars were constructed using negative or repressed aspects of my persona.
Explores the use of altar stones to metaphorically sacrifice negative or erosive aspects of my own psyche, which were unconsciously generated over the duration of the project.
An ambiguous form of sculptural sketchbook representing the reoccurring patterns and forms of the physical world. The piece then paradoxically became the final works of the project.
The body of work examines and reflects upon the story of the Burniston body, a unidentified mariner who was thought to of derived from a Swedish brig, wrecked due to the great storm of 1880 in Scarborough.